To start, I’ll provide some background about Siena’s pigeon inhabitants. In my unprofessional opinion, I’d say that the city’s pigeon populace rates: “moderate.” The only reason why one might think this rating too low is that pigeons are essentially the only birds regularly visible in the city center. I would even go so far as to say I’ve recognized the same pigeon in different parts of the city – a phenomenon common of small Liberal Arts colleges like the one I will return to in the spring, except with humans (or squirrels). Now, one might think about how it’s a shame that other more aesthetically pleasing birds aren’t present. I argue, on the contrary, that this only emphasizes the complexity of the intelligence and adaptive qualities of the pigeon brain – a triumph over less clever creatures. And yet, the most impressive feat of the Sienese pigeon has to be its ability to access some of the most enviable and inaccessible views and experiences offered by the handsome city in which it lives.
Now, if you’ve never paid close attention to a pigeon flying, you’re missing out. My Ornithology professor once bashfully admitted that he sometimes confuses pigeon flight with that of hawks. Returning to the point, just imagine the Tuscan panorama from above – an unfurled mantle of yellow-greens, ochres, and orangey-brick red metastasizing sleepily in every direction. From this view, you can probably see the black and white striped stone of the Duomo, the reassuring shell shape of the Piazza del Campo, and the labrynthine snaking of intrepid streets that revel in their own Medieval complexity. Maybe you could even pinpoint that veritable Mount Olympus that I climb every morning to get to class. This city lends an exceptional meaning to “bird’s eye view,” as is evident from an impressive array of postcards sold in any local Tabaccheria. Now, while pigeons don’t fly high enough to get quite as picturesque a view as that plastered to the front of the postcard I’m about to send my boyfriend, pretty much any sight of the city from above is breath-taking. And can you imagine the spectacle of these rich colors and sights dissolving into one another with the blur of motion and flight? As a watercolor painter spending a semester in Siena, I envy these pigeons from my earth-bounded circumstance. That’s saying a lot, seeing as there is no dearth of artistic inspiration in this city.
If we humans want to see Siena from above, we need only climb the narrow corkscrew staircases of the Torre del Mangia or the Duomo façade. In fact, just yesterday I found myself atop the Duomo façade after spending an Art History class studying Duccio’s famed Maesà – I couldn’t have asked for a more fantastic afternoon. And yet, the second I descended I wanted to climb right back up with a book and stay there all afternoon and evening. My excursions above the city can only be undertaken a handful of times due to time and monetary constraints, but I wish I could be up there every day. Now, if I were a pigeon, I could pretty much chill on the Duomo façade whenever I pleased. If I so desired, I could even lay my nest on part of the wall. No money, no stair climbing, I would need only Bernoulli’s convenient principle to bask in the sunlit, breezy atmosphere of mid-September Tuscany.
I wish that I could perch like a pigeon. If I had this capacity, I would rest on the sculpture-laden cornices above the Duomo’s main entrance. I would plop down atop the she-wolf’s column on the former Francigena road and observe the gold-painted man below, posed as an old-fashioned photographer who playfully turns the crank on his camera when you drop a Euro into his hat. And, I admit, there are several times that I’ve looked on jealously as pigeons land freely on the marble sculptures of the Campo’s fountain, where they wash their delicate beaks in narrow rivulets of cool water.
After only two magnificent weeks, I already feel at home in this city (though after these two magnificent weeks, climbing Mount Olympus hasn’t gotten any easier – another reason to wish I could fly). I feel safe walking through the streets during both the day and night. I am proud and satisfied every time I emerge unscathed from the Conad supermarket where nobody speaks English (and I speak barely any Italian). After some searching, I have already found several cozy niches, my favorite being the fountain in the Oca contrada. The gold cameraman may actually recognize me. But even if I lived here for years, I wouldn’t be as intimately close to this city as a Sienese pigeon. I will never put my bare feet on the marble sculptures of this town, nor will I inconspicuously dunk my head in my favorite fountain. I won’t pick at the tasty dropped crumbs of foreign strangers and I will never take respite on an orange-red roof heated by the sun. And, as much as I would cherish the opportunity to sit with the sculptures above the Duomo’s main entrance, I must say that I neither want to go to jail nor fall to my death. (I may also note here that pigeons have excellent spatial memories and probably navigate the winding hills and roads with enviable ease.)
Thus, the Sienese pigeon can appreciate Siena in a way that I will never know. I really do have nothing to complain about, though. For these next few months, I couldn’t ask for a better home. Here, as I sit in my room in the Lupa contrada (who knows, maybe pigeons are loyal to the contradas where they make their nests), I am content. I can only hope that this, perhaps unconventional, view of Siena can give you a glimpse of a few of the many wonders of this incredible place and maybe inspire you to think twice about my feathered friends and neighbors. After all of this, if you still consider pigeons “rat’s of the sky,” I won’t be offended for them – I like rats, too.
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